Tag Archives: Technology

Episode 36: Ukraine, NOBS, and the End of the End of History (w/ George Hoare)

Hello listeners! This is a rebroadcast of Episode 2 of Transmissions, a new podcast I’ve been involved with lately. Transmissions is the official podcast of the Class Unity Caucus of the DSA, and I want to thank them for their permission to use this episode.

Our guest for this episode is George Hoare, co-host of the Bungacast (neé Aufebunga Bunga) podcast, and co-author along with Alex Hochuli and Philip Cunliffe, of The End of the End of History (Zero Books, 2021).

In this episode, we begin with a discussion of Francis Fukuyama’s concept of the end of history, and how many intellectuals misread it as a ‘triumphalist’ celebration of American victory in the Cold War. The better argument, according to Hoare et al., is that Fukuyama was talking not just about the birth of a new era of liberal freedom, but of the dawning of an epoch of gloom – one which would bring disappointments to many of its more enthusiastic advocates.

We also discuss the war in Ukraine. So far, in western media at least, accounts of the causes of this war seem to rest upon simplistic caricatures of Putin’s flawed personality. Yet these accounts are contested, and a well-reasoned minority opinion suggests the deeper issue is NATO expansionism. Given that the West is typically used to getting its own way, to what extent is the Russian invasion of Ukraine a kind of reality check for neoliberal technocracy? While the invasion of Ukraine is illegal and monstrous, can it be understood as marking the return of politics?

As the interview progresses, we touch on numerous core concepts from the book, including the anti-political turn – also known as the “return of dissensus.” This turn was perhaps nowhere more clearly on display that in the 2016 election of Donald Trump. For Hoare et al, this moment occasioned the breakout across the United States of what they term ‘Neoliberal Order Breakdown Syndrome’ (NOBS). However, argue the Bunga crew, it was not without its historic antecedents. And, in some ways, we can see the effects of NOBS already at play in the politics surrounding Silvio Berlusconi’s rise to power in Italy, in the 1990s.

We also push back a little on Hoare in the interview, challenging some of the book’s characterizations of the limits of left-populism. While it is undoubtedly true, as Hoare et al. contend, that left-populism is anti-political in the sense that it has no theory of adequate “authority,” and that left-populist leaders like AOC and Bernie have failed thus far “to key into the agency of their own citizens,” we put it to him that this may be more of a bug than a feature. After all, as Thomas Frank and others have argued in recent times, there is a long and venerable history of left populist success, in the United States.

Other topics addressed include the applicability of the book’s arguments to the recent Canadian trucker rally against covid vaccination requirements, and contemporary debates around “techno-populism.”

We hope you’ll enjoy this discussion. If you want to find out more about Class Unity, here are some useful links:

Website: https://classunity.org
Twitter: https://twitter.com/ClassUnityDSA
Facebook: https://www.facebook.com/ClassUnity/

Your hosts for this episode are Nicholas Kiersey, Steph K, and Dave F.

Episode 34: You Sexy Hacktivist MOOCer, with Sebastian Kaempf

Hello friends!

We are back with another great episode of Fully Automated. In this episode, we step back a little bit from the grander political themes that we are usually preoccupied with, to do an episode on the pedagogical possibilities (and challenges) presented by contemporary technology.

When it comes to online teaching in the discipline of International Relations, there are very few that can claim to have the experience or insight of Dr. Sebastian Kaempf. Senior Lecturer in Peace and Conflict Studies at the School of Political Science and International Studies at the University of Queensland (Australia), Kaempf is a scholar of global media politics, focusing on the impact of changing media technologies on contemporary conflicts. He is also is the producer (with UQx and edX.com) and convenor of ‘MediaWarX’, one of UQ’s Massive Open Online Courses (MOOCs), and probably one of the largest political science MOOCs in the world.

For some, MOOCs seem to represent a sort of ultimate form of “democratized” education whereas, for others, they seem to herald the dawn of a new dystopian age. For Kaempf, now a longtime veteran of online teaching, its important to bring some nuance to this conversation. Pedagogy can make a difference. And, as you’ll hear in this conversation, Kaempf and his partners at UQ put a lot of thought and material resources into their approach, pushing the medium to the very edge of what it can accomplish.

Here then, Kaempf discusses the minutiae of how he and his colleagues actually built and delivered the course. On the one hand, they avoided the traditional lecture form in favor of what they call “spaced learning” — because research shows that human beings kind of struggle to concentrate that long. On the other, and in a break with the usual stereotype of dry pre-recorded lectures, a central theme of MediaWarX is the seriousness with which they approached the class as a kind of media production. So, for example, portions of the course are presented in a kind of ‘road movie’ or documentary style, blending diverse archival footage with on-site discussions from locations all around the world, and interviews with well-known academics and experts (including Glenn Greenwald!).

We’ll also hear Seb discuss the ethos of “Hacktivism” that he tries to bring to his online teaching. Thus, he uses discovery assignments to teach about everything from how search algorithms work, to how we are addicted to being online, to the power of big data and surveillance. In this way, the course develops a kind of “crowd sourced” content.

Finally, I ask Sebastian about Covid, and where and how it has changed the fate of MOOCs and online instruction in general. After 18 months of more or less totally online instruction, how does his experience of working with, and thinking about, MOOCs effect his perception of the future of online education in a post-pandemic world?

Sebastian Kaempf can be found on Twitter @SebKaempf and his podcast, Higher Ed Heroes, can be found on all leading podcast apps. And his International Studies Perspectives article with Carrie Finn, discussed in the interview, can be located here:

Thanks for listening. Next episode, we go to Korea to visit the crew from the podcast Red Star over Asia. And in the next episode after that, we will be chatting with Christine Louis Dit Sully.

Episode 31: Grimes, Fully Automated Communism, PMC Ideology, and Political Correctness in Science Fiction, with KMO

Hello friends! Its been a while. Sorry about that. Its been a busy semester, teaching an overload class, and wrapping up some publishing projects (here and here). But we are back, and we have a ton of new shows coming your way this summer! Coming up in the next weeks, we have another episode with our Columbus OH friends, “Chairman Moe’s Magic Contradiction” on Adam Curtis’s new documentary, ”Can’t Get You Out of My Head.” We also have panels coming up, on Clyde Barrow’s new book on the Lumpenproletariat, Phil Cunliffe’s The New Twenty Years’ Crisis, and an interview with Christine Louis-Dit-Sully. 

For this 31st episode of Fully Automated, and to help us break the dry spell, our guest is none other than legendary podcast figure “KMO”! KMO is the host and producer of the C-Realm Podcast, a cartoonist and author of the book ‘Conversations on Collapse.’

On KMO’s bio, there’s a great quote from Doug Lain, creator of the Diet Soap podcast and now the Zero Books podcast (and previous guest of this show!):

KMO was once a winner in the capitalist game. He had high tech dreams and plenty of ambition, but somewhere along the line KMO dropped out, spent what he had, and started over in a simpler way. No longer rich and no longer so enamored with the technocratic fantasies of the prevailing order, he squeaks by in this world while seeking another. More than anything KMO is a broadcaster and interviewer who has a gentle and amiable way of challenging and inspiring interesting conversations with authors, artists, psychedelic gurus, sociologists, NASA scientists, economists, and more on his weekly podcast called the C-Realm.

Now, to be sure, KMO is not exactly what you might call a ‘typical guest’ for this podcast. Yet, as you’ll hear, he is a widely read reader on all things to do with the politics of technology, and science fiction.

I first met KMO a few weeks ago, in the Politics and Science Fiction room, on Clubhouse that I started earlier this year, with Giuseppe Porcaro, Jamie Chipperfield, Sarah Shoker, and Nicholas Barrett. It became clear we had some overlapping interests on the topics under discussion, so we stayed in touch and found out that we have a lot of mutual friends in the leftwing podcast universe.

KMO recently invited me on his show, the C-Realm, for a discussion of science fiction and the politics of technological change. And this episode of Fully Automated is kind of a Part 2 of that show, where KMO responds to my arguments.

In this episode, you’ll hear us discuss a wide range of topics: Clubhouse as a phenomena; recent remarks by the pop star Grimes on whether communists should be interested in Fully Automated Communism; the rise of PMC ideology, and why its so hard to discuss the topic of class on the left anymore; Thomas Frank’s recent claims about Wuhan lab leak theory, and its significance for the already tarnished reputation of mainstream media; and, finally, we chat about politics and science fiction — you’ll hear KMO talk about why and how science fiction is (and isn’t!) for him political!

For those interested, here are the links to the couple of items KMO mentioned in the show:

Rejoinder: Reading KMO’s published remarks on Patreon, he offers what I find to be a rather wild and somewhat bad faith interpretation of my views on Walmart and FALC:

“You invoked WalMart as an example of a very complicated system of production and supply chain management and then suggested that it needn’t be labor-intensive. You could just set it up and let it run for long periods and just check in on it from time to time. That’s not how WalMart works. WalMart’s operations require constant attention and tweaking by an army of highly-specialized, highly-trained and very-highly compensated individuals. They use a lot of what could loosely be described as “artificial intelligence” but it also involves constant human toil.”

Frankly, I am at a bit of a loss as to how KMO comes to this interpretation. To be clear, in my discussion with him, I never said that WalMart isn’t labor intensive. That wasn’t the point at all. Indeed, I re-listened to what I said, and it is very clear that what we were discussing was what is referred to sometimes as the Socialist Calculation Debate. Hence my referencing cybernetics, Stafford Beer, and the Chilean Cybersyn system. My discussion of WalMart was very obviously a reference to Leigh Phillips & Michal Rozworski’s book, The People’s Republic of WalMart. This is an important pillar of any discussion of FALC, because it shows how we might begin to overcome narrow assumptions about the limits of socialist economics, and ‘leap frog’ the pace of technological development to hasten the day when full automation displaces labor, and finally explodes the capitalist value system. Of course, we could equally just sit around and wait for the scenario Marx outlines in the Grundrisse (in the famous ‘Fragment on Machines’) to happen all by itself. But the question of socialist strategy was something that preoccupied Marx too, quite apart from his quest to grasp capitalist political economy. Clearly our arrival at capitalism’s point of ultimate contradiction was not something Marx was content simply to sit around and wait for. And neither should we! 

Final note: apologies, but the audio quality is a bit over-produced in this episode. I have been trying to up my game with Adobe Audition, and I think I added too much gain to my own track here. Hopefully I’ll be able to catch this the next time.

Episode 18: Science, Technology & Art in International Relations, with Anna Leander

Hey everyone, and welcome to a very special episode of Fully Automated. Why so special? Well, because this is our first ever joint episode! We’ve teamed up with the Science Technology and Art in International Relations (or STAIR) section of ISA, for the first of what we hope will be a series of collaborations on the politics and economics of science and technology (and art!) in global affairs.

Joining me as a co-host on this episode is Stéphanie Perazzone, who graduated recently with a PhD in International Relations and Political Science at the Graduate Institute of International and Development Studies, Geneva (IHEID). Stéphanie is a post-doctoral researcher at the Institute of Development Policy (IOB), the University of Antwerp. She is working on a Swiss National Science Foundation-funded research project entitled “Localizing International Security Sector Reform; A Micro-Sociology of Policing in Urban Congo.” She is also the Communications Officer for STAIR.

Our guest for this episode is Anna Leander, the winner of the 2018 STAIR ‘Transversal Acts’ Distinguished Scholar Award. Anna is Professor of International Relations at the Graduate Institute in Geneva, with part-time positions also at the Copenhagen Business School. She is known primarily for her contributions to the development of practice theoretical approaches to International Relations and for her work on the politics of commercializing military/security matters. According to her bio, she is “focused on the material politics of commercial security technologies with special emphasis on their aesthetic and affective dimensions.”

In the interview, Stéphanie and I invite Anna to reflect on a number of the topics she has taken on, in the course of her career. One question of interest is the influence of Pierre Bourdieu on her thinking, especially concerning the role of symbolic power in reproducing systems of political violence, and the political value of reflexivity as a precursor of resistance. We also ask her about her work on the increasingly overlapping relationship between the commercial and the technological, and her thoughts on methodology in relation to studying this and other recent trends and developments in the security world.

Listeners interested in following up on Anna’s work might want to check out some of the following articles, which all get discussed to some extent in the interview:

  • The Paradoxical Impunity of Private Military Companies: Authority and the Limits to Legal Accountability. Security Dialogue, 41(5), 467–490. https://doi.org/10.1177/0967010610382108
  • Ethnographic Contributions to Method Development: “Strong Objectivity” in Security Studies, International Studies Perspectives, Volume 17, Issue 4, November 2016, Pages 462–475, https://doi.org/10.1093/isp/ekv021
  • The politics of whitelisting: Regulatory work and topologies in commercial security. Environment and Planning D: Society and Space, 34(1), 48–66. https://doi.org/10.1177/0263775815616971

Thanks for listening. As ever, if you have any feedback, you are welcome to connect with us on Twitter @occupyirtheory. And the STAIR section can be reached @STAIRISA

Episode 11 (Part I): ‘Situationism’, with Charlie Umland and Jim Calder

Welcome to Episode 11, of Fully Automated, an Occupy IR Theory podcast! Today, we have Part One of our first ever two-part episode, on the topic of Situationism! Joining me for this episode are two friends of mine from Columbus, Ohio, Charlie Umland, and Jim Calder. They are pretty sharp, when it comes to this topic. And, over the course of this two-part episode, they’re gonna help us understand just who the situationists were, and who they weren’t.

Now, coincidentally, situationism has sort of been back on the radar, lately. In February 2017, the New York Times ran a piece by Robert Zaretsky, called ‘Trump and the ‘Society of the Spectacle’.’ In the piece, Zaretsky offers this very Situationist sounding line:

Like body snatchers, commodities and images have hijacked what we once naïvely called reality. The authentic nature of the products we make with our hands and the relationships we make with our words have been removed, replaced by their simulacra.”

In the episode, Charlie, Jim and I get into some discussion of this piece. One of our big points is that perhaps Zaretsky’s take is kind of off the mark. For him, the Trump is the master of the image, in a time when the very form of image itself, has hijacked our reality. Focusing on the image as the problematic form this way, however, Zaretsky’s Situationists resonate somewhat too cynically. Indeed, it could be said they bear a familiar resemblance with the work of another famous French scholar, Jean Baudrillard. Now, Baudrillard doesn’t hail from Situationism. But he is a critic of contemporary capitalism, and he is particularly preoccupied with the rise of what he terms ’hyperreality’ — an economic era dominated by the logic of the image, wherein humans have been seduced into a state of passive consumption. For Baudrillard, where older modes of capitalism were predicated on production of actual goods, society today is a simulation; we are a consumer society, but what we consume is nothing more than signs, or symbols. In such a society, even political resistance has sort of dissipated into a kind of moral relativism; we no longer fight for any particular group’s “code” — instead we adopt a stance of ironic “fascination.”

This attitude of fascination, or what we might even call flanneurism, is exemplified in a scene in the recent Adam Curtis documentary, Hypernormalization. In this scene, we meet a young Patti Smith, giggling as she recounts the ironic prospect of poor people, watching movie trailers over and over, on a small screen outside of a cinema. Its as if she’s hypnotized herself, by the total surrender to passivity of the people watching the screen. She is overwhelmed by the cynicism of it all, and can only laugh.

But in the episode, we make the argument that this is perhaps precisely the wrong way to interpret the Spectacle. Situationism is much more than simply a critique of seduction; the theory of spectacle is NOT simply that we have been reduced to the status of a mass of consumers, or that we are simply distracted by the ongoing barrage of the media’s meaningless images. To the contrary, a key concept that has come up for us in our discussions is that of “separation” — which is something like the alienation experienced by everyday people, not just in capitalism, but also in other highly bureaucratized technical systems, like the Soviet Union, when rationalities of expertise work to delegitimize any demand they might make, for true collective participation in the productive systems that govern their lives. And, we argue, it is in this sense that Society of Spectacle is still very much a Marxist project. One need only consider how frequently the topic of the proletariat is discussed, and the various tasks to which it must attend, if it is to survive.

So, a little bit about our guests today. Both are from Ohio:

  • Charlie Umland is a cook. He likes to learn about art and philosophy and communism, and he is an unapologetic D&D fan.
  • Jim Calder works in public humanities, and supports the radical critique of everyday life, mostly through reading groups – and, he also loves smoking. Catch him on Twitter at @jamesdcalder

In the first part of the show, you’ll hear us outline some of the basic ground we want to cover: separation, the contrast with Baudrillard, the role of theory, the attitude of the situationists towards modernity, and the emancipatory potential of technology.

Next week we’ll be dropping Part 2 of this episode, which looks at Situationism in something more like an activist light. We’ll talk about the role of the Situationists in the context of the student uprising, in May ’68, their attitude towards the Soviet invasion of Czechoslovakia, some of their scattered commentaries on war, and the question of what, if anything, Guy Debord would have to say about Jordan Peterson(!).

Special thanks this week to Darren Latanick, who produced the episode. As always, feel welcome to reach out on Twitter if you have any feedback or questions: we’re at @occupyirtheory

#EISAPEC18 CfP — Technological Change and the Shape of an IR to Come (S43)

The below is a call for papers for the section, Technological Change and the Shape of an IR to Come, at the 12th Pan-European Conference on International Relations (EISA), Prague, September 12-15, 2018

This section seeks to advance discussion at the intersection of speculation on future trajectories of International Relations as a discipline, and the increasing focus on utopian and/or dystopian visions and imaginaries in the domain of popular culture. We invite contributions that navigate and challenge the horizon of the possible within and beyond the discipline. Specifically, we seek papers that have an explicit forward-looking dimension in their method and/or approach, on the spectrum between scenario-based analysis or forecasting, and storytelling or speculative academic fiction.

Not to be confused with a call for works in the genre of futurism (i.e., prediction-making), contributors to these panels are invited instead to investigate their own disciplinary perspectives to assess possible times ahead. Panels may, for example, want to examine possible trends based on the confluence of a number of issues pertaining to technological change: How are current anxieties over automation and universal basic income reflected in IR, or affiliated literatures? Conversely, what role might IR have in narrating the complexities of a global order where ‘fully-automated luxury communism’ is not only possible but actively demanded? Or, equally, in reaction to such demands, to what extent might current trends in digitalization and media bespeak a re-modulation of social order around novel modes of control, and securitization? Finally, what can we say of the multitude-style content of the hashtags, memes, and aesthetics of newly invigorated ‘millennial’ leftist movements as they embrace and reorient, for example, the iconography of Soviet-era space exploration, in a politics of race- and gender-based liberation?

Panels should advertise in advance that they are actively soliciting audience involvement in their proceedings. We invite papers that address the themes indicated in the suggested panel titles below, but will consider alternative full panel proposals:

1. Back to the future? Engaging the techno-utopian visions of IRs past
2. A phantom menace? Emancipation and the specter of luxury communism
3. Battle at the binary stars? The politics of race, gender, and millennial singularity
4. Elysium? Fully-automated consumption vs the speculative limits of ecology
5. Age of Ultron? Artificial Intelligence and our possible global ethical futures
6. Orphan Black? Post-scarcity and intellectual property law

Details:

  • Venue: University of Economics (VSE) and Institute of International Relations (IIR), Prague
  • Dates: September 12-15, 2018
  • Conference Theme: ‘A New Hope’: Back to The Future of International Relations Section
  • Section Title: Technological Change and the Shape of an IR to Come (S43)
  • Closing date for submissions: February 1, 2018
  • Official conference hashtag: #EISAPEC18

For more details, and the submission form, see the Conference website: www.eisapec18.org

Sincerely,
Nicholas Kiersey (Ohio University): kiersey@ohio.edu
Laura Horn (University of Roskilde): lhorn@RUC.DK
– Section Chairs