Hey everyone, and welcome to a very special episode of Fully Automated. Why so special? Well, because this is our first ever joint episode! We’ve teamed up with the Science Technology and Art in International Relations (or STAIR) section of ISA, for the first of what we hope will be a series of collaborations on the politics and economics of science and technology (and art!) in global affairs.
Joining me as a co-host on this episode is Stéphanie Perazzone, who graduated recently with a PhD in International Relations and Political Science at the Graduate Institute of International and Development Studies, Geneva (IHEID). Stéphanie is a post-doctoral researcher at the Institute of Development Policy (IOB), the University of Antwerp. She is working on a Swiss National Science Foundation-funded research project entitled “Localizing International Security Sector Reform; A Micro-Sociology of Policing in Urban Congo.” She is also the Communications Officer for STAIR.
In the interview, Stéphanie and I invite Anna to reflect on a number of the topics she has taken on, in the course of her career. One question of interest is the influence of Pierre Bourdieu on her thinking, especially concerning the role of symbolic power in reproducing systems of political violence, and the political value of reflexivity as a precursor of resistance. We also ask her about her work on the increasingly overlapping relationship between the commercial and the technological, and her thoughts on methodology in relation to studying this and other recent trends and developments in the security world.
Listeners interested in following up on Anna’s work might want to check out some of the following articles, which all get discussed to some extent in the interview:
Welcome to Episode 11, of Fully Automated, an Occupy IR Theory podcast! Today, we have Part One of our first ever two-part episode, on the topic of Situationism! Joining me for this episode are two friends of mine from Columbus, Ohio, Charlie Umland, and Jim Calder. They are pretty sharp, when it comes to this topic. And, over the course of this two-part episode, they’re gonna help us understand just who the situationists were, and who they weren’t.
Now, coincidentally, situationism has sort of been back on the radar, lately. In February 2017, the New York Times ran a piece by Robert Zaretsky, called ‘Trump and the ‘Society of the Spectacle’.’ In the piece, Zaretsky offers this very Situationist sounding line:
Like body snatchers, commodities and images have hijacked what we once naïvely called reality. The authentic nature of the products we make with our hands and the relationships we make with our words have been removed, replaced by their simulacra.”
In the episode, Charlie, Jim and I get into some discussion of this piece. One of our big points is that perhaps Zaretsky’s take is kind of off the mark. For him, the Trump is the master of the image, in a time when the very form of image itself, has hijacked our reality. Focusing on the image as the problematic form this way, however, Zaretsky’s Situationists resonate somewhat too cynically. Indeed, it could be said they bear a familiar resemblance with the work of another famous French scholar, Jean Baudrillard. Now, Baudrillard doesn’t hail from Situationism. But he is a critic of contemporary capitalism, and he is particularly preoccupied with the rise of what he terms ’hyperreality’ — an economic era dominated by the logic of the image, wherein humans have been seduced into a state of passive consumption. For Baudrillard, where older modes of capitalism were predicated on production of actual goods, society today is a simulation; we are a consumer society, but what we consume is nothing more than signs, or symbols. In such a society, even political resistance has sort of dissipated into a kind of moral relativism; we no longer fight for any particular group’s “code” — instead we adopt a stance of ironic “fascination.”
This attitude of fascination, or what we might even call flanneurism, is exemplified in a scene in the recent Adam Curtis documentary, Hypernormalization. In this scene, we meet a young Patti Smith, giggling as she recounts the ironic prospect of poor people, watching movie trailers over and over, on a small screen outside of a cinema. Its as if she’s hypnotized herself, by the total surrender to passivity of the people watching the screen. She is overwhelmed by the cynicism of it all, and can only laugh.
But in the episode, we make the argument that this is perhaps precisely the wrong way to interpret the Spectacle. Situationism is much more than simply a critique of seduction; the theory of spectacle is NOT simply that we have been reduced to the status of a mass of consumers, or that we are simply distracted by the ongoing barrage of the media’s meaningless images. To the contrary, a key concept that has come up for us in our discussions is that of “separation” — which is something like the alienation experienced by everyday people, not just in capitalism, but also in other highly bureaucratized technical systems, like the Soviet Union, when rationalities of expertise work to delegitimize any demand they might make, for true collective participation in the productive systems that govern their lives. And, we argue, it is in this sense that Society of Spectacle is still very much a Marxist project. One need only consider how frequently the topic of the proletariat is discussed, and the various tasks to which it must attend, if it is to survive.
So, a little bit about our guests today. Both are from Ohio:
Charlie Umland is a cook. He likes to learn about art and philosophy and communism, and he is an unapologetic D&D fan.
Jim Calder works in public humanities, and supports the radical critique of everyday life, mostly through reading groups – and, he also loves smoking. Catch him on Twitter at @jamesdcalder
In the first part of the show, you’ll hear us outline some of the basic ground we want to cover: separation, the contrast with Baudrillard, the role of theory, the attitude of the situationists towards modernity, and the emancipatory potential of technology.
Next week we’ll be dropping Part 2 of this episode, which looks at Situationism in something more like an activist light. We’ll talk about the role of the Situationists in the context of the student uprising, in May ’68, their attitude towards the Soviet invasion of Czechoslovakia, some of their scattered commentaries on war, and the question of what, if anything, Guy Debord would have to say about Jordan Peterson(!).
Special thanks this week to Darren Latanick, who produced the episode. As always, feel welcome to reach out on Twitter if you have any feedback or questions: we’re at @occupyirtheory
This section seeks to advance discussion at the intersection of speculation on future trajectories of International Relations as a discipline, and the increasing focus on utopian and/or dystopian visions and imaginaries in the domain of popular culture. We invite contributions that navigate and challenge the horizon of the possible within and beyond the discipline. Specifically, we seek papers that have an explicit forward-looking dimension in their method and/or approach, on the spectrum between scenario-based analysis or forecasting, and storytelling or speculative academic fiction.
Not to be confused with a call for works in the genre of futurism (i.e., prediction-making), contributors to these panels are invited instead to investigate their own disciplinary perspectives to assess possible times ahead. Panels may, for example, want to examine possible trends based on the confluence of a number of issues pertaining to technological change: How are current anxieties over automation and universal basic income reflected in IR, or affiliated literatures? Conversely, what role might IR have in narrating the complexities of a global order where ‘fully-automated luxury communism’ is not only possible but actively demanded? Or, equally, in reaction to such demands, to what extent might current trends in digitalization and media bespeak a re-modulation of social order around novel modes of control, and securitization? Finally, what can we say of the multitude-style content of the hashtags, memes, and aesthetics of newly invigorated ‘millennial’ leftist movements as they embrace and reorient, for example, the iconography of Soviet-era space exploration, in a politics of race- and gender-based liberation?
Panels should advertise in advance that they are actively soliciting audience involvement in their proceedings. We invite papers that address the themes indicated in the suggested panel titles below, but will consider alternative full panel proposals:
1. Back to the future? Engaging the techno-utopian visions of IRs past
2. A phantom menace? Emancipation and the specter of luxury communism
3. Battle at the binary stars? The politics of race, gender, and millennial singularity
4. Elysium? Fully-automated consumption vs the speculative limits of ecology
5. Age of Ultron? Artificial Intelligence and our possible global ethical futures
6. Orphan Black? Post-scarcity and intellectual property law
Venue: University of Economics (VSE) and Institute of International Relations (IIR), Prague
Dates: September 12-15, 2018
Conference Theme: ‘A New Hope’: Back to The Future of International Relations Section
Section Title: Technological Change and the Shape of an IR to Come (S43)
Closing date for submissions: February 1, 2018
Official conference hashtag: #EISAPEC18
For more details, and the submission form, see the Conference website: www.eisapec18.org
Nicholas Kiersey (Ohio University): firstname.lastname@example.org
Laura Horn (University of Roskilde): lhorn@RUC.DK
– Section Chairs