This episode is about the biggest story of the decade so far, COVID-19, or the coronavirus. But its also an episode with someone I’ve been wanting to have on the show for a long time, Garnet Kindervater.
Before we get started, just a few observations about the politics of the coronavirus itself. I don’t know if its fair to say viruses have a politics, but their human victims certainly do. And, as some of you may have been following, we’ve seen a big debate break out this week over a piece on the virus by Giorgio Agamben. Garnet and I don’t talk about Agamben in this interview. At the time of recording, we were only just becoming aware of this debate. But I want to talk a little bit about it before we get started, as I think its relevant to the interview you’re about to hear. Continue reading Episode 23: Coronavirus, Catastrophe & Agamben, with Garnet Kindervater→
We have a very special guest for this episode. Douglas Lain, of Zero Books. In the interview, we discuss a range of topics, but I think the focus of the interview is on how capitalist narcissism is playing out in leftist online culture.
Specifically we address:
How podcasting has enabled a new debate among the left, concerning the priority of identity;
The rise of the Alt-Left, and whether or how the term functions to smear those seeking to re-assert the priority of revolutionary values in leftist discourse;
We also address the critical reception of Angela Nagle’s sensational new book, Kill All Normies, published by Zero Books … a book that is ostensibly about the emergence of the Alt-Right, but in this conversation, Doug and I focus mostly on the other main aspect of the book, which is Nagle’s explanation of the rise of “call out culture” on the left.
Finally, with the #DSACon17 (the 2017 Democratic Socialists of America convention) starting this week, I ask Doug if he has any advice for delegates to the convention.
The wonderful people over at Disorder of Things have posted an extended version of my recent review of Dave Eden’s excellent ‘Autonomy: Capitalism, Class and Politics.’ The original version, which appears in the current issue of New Political Science, is focused more on the book itself. This version tries to offer a more developed response to Eden’s thoughts on the place of the critique of the commodity in contemporary Marxism. Sincere thanks to Wanda and Pablo for hosting the piece. ~ Nick
Foucault often spoke of critique in vague terms. A truth that “functions as a weapon,” on the one hand, but which can “light fires, watch the grass grow, listen to the wind, and catch the sea foam in the breeze and scatter it,” on the other. Statements like these appear to us as riddles. But what is critique for Foucault, really? One fascinating answer to this question can be found in his short piece, “What is Enlightenment?”
Now, I confess, when I was in graduate school I used to think this was one of the toughest bits of Foucault reading out there. I suppose I still do. Where I really struggle is later in the piece, when he gets into the opposition between two ideal types, the man of the modern world and the flâneur. Here, he paraphrases Baudelaire’s description of the flâneur as one who adopts “the spectator’s posture.” It seems to me that the flâneur is kind of a drop out, or somehow self-involved – a cynical figure who refuses to engage with the world around him. Either way, against this passive figure (which Foucault does not praise), the modern man has an active stance in the world. His being in the world somehow changes it, but not fundamentally. Foucault observes that the modern man’s attitude towards the world, and himself, involves both ambition and acceptance of certain limits to that ambition. That is, it “does not entail an annulling of reality, but a difficult interplay between the truth of what is real and the exercise of freedom.” In this sense, modern man is he who strives to take what is natural in the world, including his own self, and make it somehow more than it was. And the emblematic figure of the modern subject here is the dandy, the ultimate entrepreneur of himself, who is compelled constantly to “invent himself” in relation to those limits. Perfect, or at least moving towards some sort of optimal state.